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Demonstrating its commitment to community development, the C-Quansah Foundation has launched a four-week intensive skills training programme for select residents of Cape Coast.

The programme, which is being held at the Palaver Hall inside the historic Cape Coast Castle, officially began on Saturday, March 14, 2026. Sessions will run on Fridays, Saturdays, and Sundays over the next four weeks, aiming to equip participants with practical skills in make-artistry, wig installation and styling, nail technology, beauty, and fashion.

Speaking on the foundation’s rationale, founder Mr. Charles Quansah explained that the primary goal is to provide the youth with practical skills to improve their employability. He described the unemployment situation in Cape Coast as “alarming,” stressing the need for urgent intervention.

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“Not everyone has access to formal education,” he noted. “And those who have completed school often regret, later in life, not having learned a trade.”

Mr. Quansah further disclosed that while the initial plan was simply to provide trainers with the necessary tools to begin, the response exceeded all expectations. “The numbers that came to register were overwhelming,” he said. He added that dedicated trainees would receive additional support going forward as a reward for their commitment to the programme.

Genivieve Hammond Mensah, Coordinator for the skills development programme, confirmed that the entire initiative is fully funded by the C-Quansah Foundation. “Everything you see here, including the training kits, drinks, and other ancillary materials, is provided by the foundation,” she told journalists.

Madam Hammond Mensah also expressed astonishment at the high volume of registrations. “The numbers that turned up were overwhelming,” she revealed. She used the opportunity to encourage young people to embrace vocational training, stating that “acquiring a skill is the way forward, especially given the limited employment opportunities.”

Explaining the structure of the training, she noted that the three-day-a-week, four-week model was designed to appeal to modern sensibilities. “Today’s youth find it very cumbersome to spend three to four years on a traditional apprenticeship,” she said. “By compressing the training, we encourage more young people to participate and acquire valuable skills.”

The Foundation’s Operations Officer, Alhaji Issah Jagbesie, who is a trained Technical Teacher, also commended the initiative. “Skills training and development is a critical area that needs to be harnessed to reduce unemployment in the country,” he stressed.

Source DC Kwame Kwakye

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In a landmark move to restructure Ghana’s economic framework, President John Dramani Mahama assented to the 24-Hour Economy Authority Bill on February 19, 2026. The new law establishes a dedicated authority to oversee the implementation of a multi-shift work system, designed to maximize industrial capacity utilization and generate sustainable employment, particularly for the nation’s youth.

The ambitious initiative is backed by a projected $4 billion investment portfolio. The government has committed an initial seed capital of $300 million to $400 million to de-risk the venture and catalyze robust private sector participation.

In immediate response to the bill’s assent, the Chairman of M&C Group, Michael Leslie Bartlett-Vanderpuye, reaffirmed the conglomerate’s unwavering commitment to the policy’s objectives. The Group is strategically positioned to harness the opportunities presented by the new economic model to boost trading activities, expand exports, and accelerate job creation.

This move formalizes a pledge made by M&C Group earlier in the policy’s lifecycle. When the 24-Hour Economy and Accelerated Export Development program was launched on July 2, 2025, M&C was among the first private entities to declare its readiness to champion the initiative for the benefit of Ghanaians, the private sector, and the nation at large.

As a global conglomerate with expertise spanning minerals and food commodity trading, export, and real estate development, M&C Group is renowned for delivering excellence across multiple industries. Guided by a commitment to innovation, transparency, and sustainable growth, the company plays a vital role in connecting Ghanaian industries to regional and international markets.

The Group’s influence and high standards were recognized in October 2025, when it received three major industry awards: Exporter of the Year, Trading Company of the Year, and the Transformational Leadership Award, presented to its Chairman, Mr. Michael Leslie Bartlett-Vanderpuye.

M&C Group is positioning itself at the forefront of this new economic era by planning to extend its operational hours, invest in supporting infrastructure, and leverage the incentives provided by the new Authority. This strategic pivot is expected to unlock significant opportunities in logistics, trading, energy, and property development, with a strong emphasis on value addition.

M&C Group asserts that its active support for the 24-Hour Economy policy will serve as a catalyst for national development. The anticipated benefits for Ghana include:

· Employment Generation: Creation of thousands of new jobs through extended shift patterns.
· Economic Growth: A significant increase in production capacity and export value.
· Infrastructure Optimization: Better utilization of existing industrial and logistical infrastructure.
· Investor Confidence: A clear signal to local and international investors that Ghana is open for round-the-clock business.
· Economic Inclusiveness: Broader participation in the economy for a diverse workforce.

With proper planning and a shared commitment between the public and private sectors, M&C Group believes the 24-Hour Economy policy is a powerful vehicle to drive sustained growth, massive job creation, and a more resilient national economy.

Source By DC Kwame Kwakye

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Officials from the Naa We Arbitration Court at Gbese in Accra, accompanied by police personnel and local indigenes, stormed the Zion Prayer Ministries International Church to effect the arrest of controversial founder Prophet Jedidiah Henry Kore, popularly known as “Fire Oja.

The operation, which took place on Sunday, March 22, 2026, at the church’s Spintex branch, saw security officers and loyal indigenes of the Gbese area move in to arrest the prophet following his repeated failure to appear before the Traditional Court.

Explaining the rationale behind the action, Reverend Nii Artey Adjei, official translator of the court and an eyewitness to the case, revealed that on February 12, 2026, the court delivered a judgment against Fire Oja in a defamation suit brought by Ola Maame, founder of The Ola’s Herbal and Spiritual Center (Soul Travel, Ghana).

In the ruling, the Naa Wulomo declared Ola Maame the victor and ordered Fire Oja to provide the following items as customary appeasement and compensation:

· 4 rams
· 12 fowls
· 1 box of Castle Bridge
· 1 gallon of Apketeshie (local gin)
· 6 full pieces of Khalico cloth
· 1 box of wine
· 6 bottles of whiskey
· ¢50,000 in monetary compensation

Additionally, the court imposed separate fines totalling ¢22,000 to cover procedural fees—comprising ¢10,000 for summons, ¢6,000 for opening fees, and ¢6,000 for closing fees. The total award in favour of the plaintiff therefore amounted to ¢72,000, alongside the customary items.

Reverend Adjei noted that before the final judgment was read, Jedidiah Henry Kore had disrespectfully left the court premises with his entourage—an act considered an affront to the customs of the area. Subsequent efforts to secure his appearance before the Traditional Court and to ensure compliance with the judgment proved futile. Last two weeks, a court bailiff dispatched to serve Fire Oja was allegedly assaulted, prompting the court’s decision to storm his church to effect his arrest for what they described as blatant disregard for the traditional ethos and values of Gbese.

Reverend Adjei further explained that, compelled by the prophet’s continued intransigence and disrespect for the elders, they reported the matter to the James Town Police, who assigned a Criminal Investigations Department (CID) officer to accompany them in executing the arrest.

He noted that, to avoid appearing harsh or discourteous to other ethnic groups living on Ga lands, they had made public announcements regarding the standoff between the Traditional Court and Fire Oja via social media. “This was done so that when we take any further action, it wouldn’t be misread as hate for other tribes working in Accra,” he explained.

The arrest of the controversial Fire Oja has since gone viral on social media, with many questioning why a religious leader would deliberately disregard traditional authority. As the dispute between Fire Oja and the Naa We Court of Arbitration continues, observers hope the pastor will act appropriately to forestall further embarrassing spectacles such as the one witnessed today.

Source By DC Kwame Kwakye

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The Ghana Catholic Bishops’ Conference (GCBC) has stepped into the ongoing legal battle involving Wesley Girls’ High School, filing an affidavit at the Supreme Court of Ghana to support an amicus curiae (friend of the court) brief.

The affidavit, sworn by Joseph Kwaku Afrifah-Agyekum, confirms the accuracy of facts and documents presented by the Conference. According to the GCBC, its involvement is aimed at helping the court better understand the wider issues of religious coexistence within Ghana’s educational system

The suit was filed by private legal practitioner Shafic Osman, who is challenging certain religious policies at Wesley Girls.

He alleges that Muslim students in the school are compelled to take part in Christian religious activities while also facing restrictions on practising their own faith. These include limitations on wearing the hijab, observing Ramadan fasting, and performing other Islamic practices.

According to Osman, such actions violate provisions of the 1992 Constitution of Ghana particularly Articles 17 and 21 which guarantee freedom of religion and protection from discrimination.

Reacting to the development, GCBC President Matthew Kwasi Gyamfi clarified that the Conference is not backing any party in the case.

He explained that their role is simply to assist the court with balanced perspectives on how religious tolerance and accommodation can be handled in mission schools.

The Bishops’ Conference based its submission on a Memorandum of Understanding (MoU) on religious tolerance in schools, adopted in April 2024 in collaboration with key stakeholders, including the Ghana Education Service and various religious groups.

The MoU encourages mutual respect and reasonable accommodation for minority faiths, while still allowing mission schools to operate according to their founding beliefs and traditions.

The Supreme Court has already directed Wesley Girls and other respondents to respond to the claims. The case is still ongoing, and no final ruling has been made despite some misleading reports circulating on social media.

As the matter unfolds, many Ghanaians are watching closely, as the outcome could shape how religious rights and school policies are balanced across the country.

Source By BigTimezGH.com

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Global pop icon Miley Cyrus is taking a heartfelt trip down memory lane as she reconnects with her Disney Channel beginnings in a special celebration of Hannah Montana’s 20th anniversary.

Now one of the biggest names in music worldwide, Miley is revisiting the role that launched her career, honoring the cultural impact of the beloved teen sitcom that first aired in 2006.

The anniversary special, which premiered on Disney+, brings together nostalgic moments, unseen behind-the-scenes footage, and emotional reflections from Cyrus herself. Known for her dual role as Miley Stewart and her pop alter ego Hannah Montana, the show became a global phenomenon and a defining part of many childhoods.

Speaking about the project, Cyrus described it as a “gift to the fans,” acknowledging the deep connection audiences still have with the series decades later.

LISTEN ALSO: Shatta Wale x John Legend – Ain’t Nobody

Since her days wearing the iconic blonde wig, Miley Cyrus has evolved into a boundary-pushing artist with multiple chart-topping hits and awards to her name. Despite her transformation, the influence of Hannah Montana remains undeniable in shaping her journey.

The anniversary special highlights this evolution, showcasing how Miley transitioned from a teen idol into a fearless and authentic performer while still embracing her roots.

Fans can expect appearances from former cast members, musical throwbacks, and a celebration of the show’s most memorable moments. The special captures the essence of what made Hannah Montana a pop culture staple its music, humor, and relatable themes of identity and growing up.

For many, the phrase “Best of Both Worlds” isn’t just a song it’s a symbol of an era, and this anniversary event brings that feeling back to life.

Two decades later, Hannah Montana continues to inspire a new generation of viewers while maintaining a loyal fanbase. Miley’s decision to revisit this chapter of her life reflects both personal growth and appreciation for where it all began.

As fans tune in to relive the magic, one thing is clear: Hannah Montana’s legacy is far from over.

Source By BigTimezGH.com

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The Confederation of African Football (CAF) has stripped Senegal of the 2025 Africa Cup of Nations (AFCON) title and awarded it to Morocco.

The decision, which came into effect on March 17, 2026, follows a successful appeal by the Royal Moroccan Football Federation regarding Senegal’s temporary walk-off protest during the final on January 18, 2026, which was deemed a forfeiture.

CAF’s decision was based on the following rationale:

Reason for Action: The impulsive decision by Senegalese players to walk off the pitch in protest of a contentious stoppage-time penalty awarded to Morocco constituted a forfeiture in the eyes of the CAF Appeals Board. This singular action, pushed forward by the Moroccan FA, led CAF to overturn the result—despite Senegal initially winning the final match by a lone goal—and summarily declare Morocco the victors with a 3-0 victory in their favour.

Following CAF’s decision, Dominic Kweku Oboh, a GBC Radio Central football pundit, disagreed with the federation’s position. He contends that the initial penalty awarded during the final match in favour of Morocco and against Senegal was unfair and inappropriate. Nonetheless, he was critical of the Senegalese players’ actions. “That was unsportsmanlike, disgraceful, and arrant nonsense from professional players,” he stressed, underscoring that, per the rules of the game, “No player is allowed to walk off the pitch regardless of the challenges during a match.”

Touching on the regulations CAF might have relied on, Oboh revealed that Article 82 (Key Offence) of the CAF statutes stipulates that players “left the pitch without authorisation” and “disrupted the normal flow of the match.” This article deals with unsporting behaviour and refusal to play—actions that bring the game into disrepute. Thus, CAF triggered Article 84, which deals with the appropriate punishment for such offences: “If a team commits serious violations (like Article 82), then the team is considered to have forfeited the match.”

Relying on this interpretation, CAF issued an official statement, positing that Senegal is “declared to have forfeited the match, result recorded as 3–0” in favour of Morocco.

Based on the regulatory breaches (Articles 82 & 84 context) and relying on disciplinary provisions for misconduct by teams, officials, or federations—such as violence, match manipulation, or serious rule violations—Oboh avers that CAF has the authority to overturn match results, sanction teams, and order replays or disqualify teams. “People should stop being emotional about CAF’s decision because they can do that,” he emphasised.

However, he objects to the ruling on the grounds that “once the referee allowed play to continue without sanctioning the Senegalese team at the point of play, and in the interest of safeguarding the integrity of the African game, CAF ought to have allowed the status to remain,” he said. Further, he was of the view that what CAF should have focused on was issuing punitive sanctions to the Senegalese football body, especially the coach, for disrupting the final match—not overturning the result of a rather beautiful, though chaotic, final.

The March 2026 decision by CAF has sparked widespread outrage, legal challenges, and a deepening rift in African football. The ruling, which declared Senegal had forfeited the final due to a temporary 15-minute walk-off in protest of a penalty, overturned Senegal’s 1–0 extra-time victory on the pitch into an official 3–0 win for Morocco.

Following the declaration by CAF, several stakeholders in football have reacted. The Senegal Football Federation (FSF) branded the decision “iniquitous, unprecedented, and unacceptable.” They have officially confirmed an immediate appeal to the Court of Arbitration for Sport (CAS) in Lausanne, asserting the ruling has “thrown discredit on African football.”

The Royal Moroccan Football Federation (FRMF), on the other hand, welcomed the ruling, stating it “upholds respect for rules” and was never about challenging “sporting performance” but rather ensuring tournament regulations—specifically regarding match abandonment—were applied.

CAF, under the leadership of President Patrice Motsepe, has defended the independence of the Appeal Board, stating the ruling must be respected to maintain the “integrity, ethics, and governance” of the African game.

Incidentally, other interested parties have also shared their views on the matter. Defender Moussa Niakhaté posted a photo with the trophy captioned “Come and get it! They’re crazy!”, while El Hadji Malick Diouf remarked, “This thing isn’t going anywhere.” George Weah, the only African former FIFA World Player of the Year and ex-Liberian President, condemned the move, stating, “Football must be decided on the pitch, not re-decided after the final whistle.” Claude Le Roy, a veteran former Senegal coach, called the decision a “travesty” and a “shame for Africa,” noting that it unprecedentedly overrides the referee’s authority to continue a match. Patrice Evra, a Dakar-born former French international, described it as an “April Fool’s joke” and insisted Senegal remain the “real champions.”

There have been spontaneous reactions amongst the Senegalese public, with citizens in Dakar and other cities holding “champion” celebrations to publicly reject the administrative verdict by CAF. Most of them cite allegations of bias, with some critics and government officials alleging corruption and “favourable treatment” for Morocco as the tournament hosts.

Way Forward

Senegal has declared plans to appeal the decision to the Court of Arbitration for Sport (CAS), with controversy remaining over whether a match decided on the pitch should be overturned in a committee room, as demonstrated by CAF. Oboh, though not supporting CAF’s decision, agrees that the football governing body has the right to make such a decision, while backing Senegal’s FA decision to appeal for further redress.

Conclusions

The game of football, though a beautiful one, can sometimes be very emotive, generating chaotic scenes which can destroy an otherwise good game. Governing bodies are mandated to punish erring football clubs or associations in order to entrench the application of rules and safeguard the integrity of football. It is the considered view of Kweku Oboh, a GBC Radio Central football pundit, that “though CAF is clothed with the regulatory powers to overturn the results as they have done, for the interest of the image of African football with reference to some of the derogatory commentaries made by some European football pundits regarding this particular tournament the status quo should have been maintained,” he emphasised. CAF should rather have concentrated on punishing the referee of the day, the Senegalese FA, and the coach, rather than overturning the result of the final match.

Source By DC Kwame Kwakye

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Ghanaian dancehall heavyweight Shatta Wale has once again proven his global appeal with his latest collaboration, “Ain’t Nobody,” featuring American music icon John Legend. The track, which blends Afro-dancehall rhythms with soulful R&B elements, is already generating massive buzz across continents, signaling yet another milestone in African music’s global takeover.

From the very first note, “Ain’t Nobody” delivers a rich fusion of sounds. The production leans on a smooth, mid-tempo beat layered with melodic guitar riffs and subtle percussions that create a warm, immersive atmosphere. Shatta Wale brings his signature energy—confident, rhythmic, and deeply expressive while John Legend complements it with his unmistakable silky vocals, adding depth and emotional resonance to the song.

Lyrically, the track explores themes of love, devotion, and admiration. Shatta Wale’s verses are filled with passion and charisma, celebrating a love interest with bold declarations, while John Legend’s chorus elevates the message with a timeless, soulful touch. The synergy between the two artists feels natural, as though their styles were always meant to collide.

This collaboration is more than just a song it’s a statement. Shatta Wale continues to position himself as one of Africa’s most internationally relevant artists, consistently pushing boundaries and forging connections with global superstars. Teaming up with John Legend not only expands his reach but also reinforces the growing influence of African artists on the world stage.

Fans have taken to social media to praise the track, with many highlighting the seamless blend of cultures and genres. The song’s replay value is undeniable, appealing to both Afrobeat lovers and R&B enthusiasts alike. It’s the kind of record that feels equally at home on international charts and local playlists.

“Ain’t Nobody” is a testament to the power of collaboration in modern music. It bridges continents, genres, and audiences, creating a sound that is both fresh and universally appealing. As the track continues to gain traction, it’s clear that this is more than just a moment it’s part of a larger movement showcasing African artistry to the world.

With this release, Shatta Wale once again reminds us why he remains a dominant force in the industry, while John Legend proves his versatility and openness to global sounds. Together, they’ve created a song that not only resonates but also sets a new standard for cross-cultural collaborations.

Stay tuned to Bigtimezgh.com for more updates on trending music and exclusive entertainment news.

Shatta Wale x John Legend – Ain’t Nobody

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Award-winning Ghanaian rapper Medikal has confidently declared himself the rightful Artiste of
the Year for 2025 following the release of nominations for the Telecel Ghana Music Awards.

The rapper made the bold declaration during a live performance at Kumawu on Saturday night,
where he paused mid-set to address fans about the nominations.

“You know they released the nominations for the TGMA and the Artiste of the Year category,”
he told the crowd. “You know Medikal has been working extremely harder than everyone every
year. Let’s tell the organizers that this year, no libilibi, no labala.”

CHEACK ALSO: Pappy Kojo – Masallaci (Prod. By Rotorbeats)

The statement was met with loud cheers from fans who echoed his confidence and support.
This year, Medikal stands among the most nominated artistes at the awards, securing over eight
nominations, a reflection of what many fans describe as one of the most active and impactful
years of his career.

He received nominations in the following categories:
Music Video of the Year
• Rap Performance of the Year
• Hiplife/Hip-Hop Artiste of the Year
• Most Popular Song of the Year
• Collaboration of the Year
• Album/EP of the Year
• Hiplife Song of the Year
• Artiste of the Year

The Charterhouse Productions-organized awards scheme, powered by Telecel Ghana, is
regarded as Ghana’s biggest music honors platform, celebrating excellence across the industry.
Supporters of the rapper argue that his consistency, hit releases, performances across the
country, and strong fan engagement make a compelling case for him to win the night’s top prize.
With nominations spanning multiple major categories and a strong presence in the Ghanaian
music scene throughout the year, Medikal’s campaign for the Artiste of the Year crown is
already gaining momentum among fans and industry observers alike.
As anticipation builds toward the awards night, Medikal’s declaration has added a new layer of
excitement to the race for the coveted title.

Source By BigTimezGH.com

 

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The “Fante Vandamme” is officially back in his bag! Pappy Kojo, one of Ghana’s most stylish and versatile rappers, has just released a brand-new banger titled “Masallaci.”

Teaming up with the hit-making producer Rotorbeats, Pappy Kojo delivers a track that reminds everyone why he remains a heavyweight in the Ghanaian music scene. “Masallaci” isn’t just a song; it’s a statement of style, flow, and pure Tadi energy.

LISTEN TO THIS ONE: iMTee – Win (Prod. By ShacksOnTheBeat)

The track captures the raw essence of the streets while maintaining a polished sound that is perfect for both radio airwaves and club speakers. Whether he’s flexing his lyrical dexterity or his world-class fashion sense, Pappy Kojo proves he hasn’t lost his touch.

Pappy Kojo – Masallaci (Prod. By Rotorbeats)

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There is a certain type of magic that happens when an artist captures the collective pulse of the street. iMTee has done exactly that with his latest drop, “Win.” Produced by the ever-consistent ShacksOnTheBeat, the song is rapidly turning into a daily mantra for the youth.

What makes “Win” stand out is its raw honesty. iMTee doesn’t just sing about the destination; he honors the struggle of the journey. The lyrics resonate with anyone who has ever had a dream and a deadline. Backed by a heavy bassline and crisp snares from Shacks, this track is destined to be blasted from car speakers and market stalls alike across the country.

If you’re looking for a song that reflects the Ghanaian “hustle” spirit, look no further.

iMTee – Win (Prod. By ShacksOnTheBeat)